前身是皇軍(jun1 )軍港的吳港,戰後(📒)成為船塢工人的生活煉獄(yù )。在資(zī )本家剝削和枯燥(zào )生活的雙重(🍖)煎(🔬)熬下,躁動的年(🎾)輕生命(👋),一頭(🎏)栽進(jìn )暴力(♑)漩渦(😎),延擱(gē )(⚫)成長,終(zhōng )日在(zài )打鬥、賭博(bó )(🕯)、酗酒中尋找(zhǎo )暫時(shí )的麻醉。吉田喜重通(🥞)過工頭之眼,對不(bú )(🖍)合理(🐶)的社(shè )會現實(🐖)作出(🔊)欲迎還拒的批(pī )判,被視為日(rì )本新浪潮代(🔢)表作之(🦗)一。香(xiāng )山美子飾(💻)演純(🙂)真的酒館(guǎn )女待,同(tóng )情工人(㊙)卻慘(cǎn )被強(💪)姦,正與負的能量,在大時代中比拼(😍)互滲,可有超越對與(🐀)錯,是與(🤖)非(fēi )的位置(👣)?片末火車站(zhàn )(💹)送別(bié )一(yī )(🥊)場(chǎng ),在家和(hé )社會之間,吉(jí )田(tián )喜重作出了左(🤷)翼(🃏)的選擇。 (💹) One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (👫) - SummerIFF 2007
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